[Attackpanther] Percepts / Raster Noton show

[radio ruido]

Oct 2nd, 2007,9pm
Live sets from
BENDER
KANGDING RAY
TELESEEN
DJs
RADIO RUIDO
benowen
video by art jones
Galapagos
70 North 6th St
Brooklyn, NY

www.raster-noton.de <http://www.percepts.info/www.raster-noton.de>
www.kangdingray.com <http://www.percepts.info/www.kangdingray.com>
www.myspace.com/teleseen <http://www.percepts.info/www.myspace.com/teleseen>

*Olaf BENDER* is a founding member of the Raster-Noton label, as well as its
lead designer. Bender (formerly known as Byetone) creates his music
digitally, assembling sine tones into complex sound fabrics of deep sub-bass
and rhythmic clicks and crackles. He creates abstract animations to support
his abstract music --transforming the rhythm of the music into a graphic
equivalent, which he controls in real time.

*KANGING RAY,* aka David Letellier was born in France and studied
architecture before starting his music career. His 2006 debut Stabil,
released on Raster Noton, transitioned him into the world of cutting edge
visual and audio design. "Melodic and mechanical, electronic and acoustic,
the minimal, textured music of Kangding Ray... is a riveting blend of
crackling noise, sampled guitars, sensual rhythms and digital
errors.."Stabil Review, Montreal Mirrior, This is his first New York show,
and part of his US debut. Not to be missed.

Producer and multi-instrumentist *TELESEEN* builds abstract dub soundscapes
into complexly layered feilds of ambience that have their roots as much in
of post-modern theories of space and structure as they do in the works of
artists like Sly and Robbie and Scientist. Rhythms are woven into densely
processed noises and field recordings sourced from origins as diverse as a
shortwave radio transmissions, mixer feedback, static and defective studio
equipment recorded in the US, to the sounds of street corners everywhere
from Crown Heights to Kampala. The music internalizes the connections
between natural and manmade modes and patterns of commnication, taking
reggae, dub and detroit techno as its rhythmic touchstones. He released his
debut long player, "War" in early 2007. The Wire described "War" as "a zen
slap to the back of the head", pitchfork has called him "an electronic MC
Escher."
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